Icons exhibit defines ‘American Cool’

Written By Unknown on Jumat, 28 Maret 2014 | 20.49

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Curators at the National Portrait Gallery studied the uniquely American concept of "cool" and culled 100 photographs of artists of all kinds who embody "cool." Tony Hawk in 1999 is pictured here.

Martin Schoeller/National Portrait Gallery

Frank Sinatra, 1956.

Herman Leonard/National Portrait Gallery

Jean-Michel Basquiat, 1986.

Dmitri Kasterine/National Portrait Gallery

Debbie Harry, 1978.

Robert Mapplethorpe/National Portrait Gallery

Jimi Hendrix, 1967.

Linda McCartney/National Portrait Gallery

James Dean, 1954.

Roy Schatt/National Portrait Gallery

Elvis Presley, 1956.

Roger Marshutz/National Portrait Gallery

Billie Holiday, 1951.

Bob Willoughby/National Portrait Gallery

Audrey Hepburn, 1955.

Philippe Halsman/National Portrait Gallery

Steve McQueen, 1962.

William Claxton/National Portrait Gallery

Walt Whitman, c. 1854-1855.

Samuel Hollyer/National Portrait Gallery

Kurt Cobain, undated.

Mark Seliger/National Portrait Gallery

Madonna, 1983.

Kate Simon/National Portrait Gallery

Miles Davis, 1955.

Aram Avakian/National Portrait Gallery

David Byrne, 1981.

Marcia Resnick/National Portrait Gallery

Muddy Waters, 1960.

Charles H. Stewart/National Portrait Gallery

Lauren Bacall, 1949.

Alfred Eisenstaedt/National Portrait Gallery

Marlon Brando, 1950.

Philippe Halsman/National Portrait Gallery

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The National Portrait Gallery in DC has assembled photos of the country's 100 most iconic personalities for an exhibit titled "American Cool."

"So much of what's written about cool is about 'what is cool,' but the more important question is, 'Who is cool?' " co-curator Joel Dinnerstein said.

" 'What is cool' is synonymous with what's fashionable in the moment. But when you talk about 'who is cool,' then you're talking about impact."

Dinnerstein, director of American Studies at Tulane University, and Frank Goodyear, co-director of the Bowdoin College Museum of Art, spent five years paring down a list of 500 names.

They judged on four criteria: an original, creative vision; a rebellious, generational impact; being visually recognizable; and having a lasting legacy.

"For that permanent and transformative change, I always think of Lenny Bruce," Dinnerstein said. "We weren't going back to Bob Hope and George Burns. You're going to take chances now, and not just do shtick with written jokes."


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